He bought a Heidelberg GTO 52
offset printing machine.
German artist Hans-Jürgen Kuhl was a craftsman who decided to counterfeit hundred dollar bills:
The majority of counterfeiters, as one federal investigator told me, are meth heads who, after three nights without sleep, suddenly get the bright idea to scan a $20 bill, bleach a bunch of $5 bills, and print the image of the $20 on that same paper. Even the most senile merchant can usually spot these shams.Read the article: The Ultimate Counterfeiter Isn’t a Crook—He’s an Artist, Wired>>
But with his scrupulous craftsmanship, Kuhl placed himself among a rarefied class of counterfeiters who can produce truly high-quality fakes. They possess sophisticated knowledge about paper and dyes, and they have expertise in printing machinery and banknote security features such as watermarks and color-shifting ink.
With a cigarette in one hand and a money- marking pen in the other, Kuhl began his quest to conquer the dollar by thumbing through thick binders of paper samples. Money-marking pens draw a black line on paper made with starch but not on stock that lacks starch, such as the ultrafine cotton-linen sheets manufactured by Crane & Co. of Dalton, Massachusetts, the sole provider of US dollar substrate. He contacted a dealer in Düsseldorf, hoping to buy some of Crane’s special blend of 75 percent cotton and 25 percent linen, but he was told that selling it was forbidden. Eventually Kuhl connected with a dealer in Prague who supplied him with starch-free paper that felt and weighed about the same as the Crane’s...