The Lemon Drop Kid, by Damon Runyon

"I am going to take you back a matter of four or five years ago to an August afternoon and the racetrack at Saratoga, which is a spot in New York state very pleasant to behold, and also to a young guy by the name of The Lemon Drop Kid..."

This Damon Runyon short story published in Collier’s Magazine in 1934 quickly shifts gears from comedy to pathos to dark irony. Mr. Runyon's distinctive writing is crammed with underworld slang and odd characters. He’s best known for providing the background stories that became the 1950’s musical Guys and Dolls.


Collier's Magazine from September 1933.

Want to hear a dramatization instead of reading it? Go to the Internet Archive for a free 27-minute audio of the story as performed by The Damon Runyon Theater>>


The Lemon Drop Kid, by Damon Runyon

I am going to take you back a matter of four or five years ago to an August afternoon and the racetrack at Saratoga, which is a spot in New York state very pleasant to behold, and also to a young guy by the name of The Lemon Drop Kid, who is called The Lemon Drop Kid because he always has a little sack of lemon drops in the side pocket of his coat, and is always munching at same, a lemon drop being a breed of candy that is relished by many, although personally I prefer peppermints.

On this day I am talking about, The Lemon Drop Kid is looking about for business, and not doing so good for himself, at that, as The Lemon Drop Kid’s business is telling the tale, and he is finding it very difficult indeed to discover citizens who are willing to listen to him tell the tale.

And of course if a guy whose business is telling the tale cannot find anybody to listen to him, he is greatly handicapped, for the tale such a guy tells is always about how he knows something is doing in a certain race, the idea of the tale being that it may cause the citizen who is listening to it to make a wager on this certain race, and if the race comes out the way the guy who is telling the tale says it will come out, naturally the citizen is bound to be very grateful to the guy, and maybe reward him liberally.

Furthermore, the citizen is bound to listen to more tales, and a guy whose business is telling the tale, such as The Lemon Drop Kid, always has tales to tell until the cows come home, and generally they are long tales, and sometimes they are very interesting and entertaining, according to who is telling them, and it is well known to one and all that nobody can tell the tale any better than The Lemon Drop Kid.

But old Cap Duhaine and his sleuths at the Saratoga track are greatly opposed to guys going around telling the tale, and claim that such guys are nothing but touts, and they are especially opposed to The Lemon Drop Kid, because they say he tells the tale so well that he weakens public confidence in horse racing. So they are casing The Lemon Drop Kid pretty close to see that he does not get some citizen’s ear and start telling him the tale, and finally The Lemon Drop Kid is greatly disgusted and walks up the lawn toward the head of the stretch.




And while he is walking, he is eating lemon drops out of his pocket, and thinking about how much better off he will be if he puts in the last ten years of his life at some legitimate dodge, instead of hop-scotching from one end of the country to the other telling the tale, although just off-hand The Lemon Drop Kid cannot think of any legitimate dodge at which he will see as much of life as he sees around the racetracks since he gets out of the orphan asylum in Jersey City where he is raised.

At the time this story starts out, The Lemon Drop Kid is maybe twenty-four years old, and he is a quiet little guy with a low voice, which comes of keeping it confidential when he is telling the tale, and he is nearly always alone. In fact, The Lemon Drop Kid is never known to have a pal as long as he is around telling the tale, although he is by no means an unfriendly guy, and is always speaking to everybody, even when he is in the money.

But it is now a long time since The Lemon Drop Kid is in the money, or seems to have any chance of being in the money, and the landlady of the boardinghouse in Saratoga where he is residing is becoming quite hostile, and making derogatory cracks about him, and also about most of her other boarders, too, so The Lemon Drop Kid is unable to really enjoy his meals there, especially as they are very bad meals to start with.

Well, The Lemon Drop Kid goes off by himself up the lawn and stands there looking out across the track, munching a lemon drop from time to time, and thinking what a harsh old world it is, to be sure, and how much better off it will be if there are no sleuths whatever around and about.

It is a day when not many citizens are present at the track, and the only one near The Lemon Drop Kid seems to be an old guy in a wheelchair, with a steamer rug over his knees, and a big, sleepy-looking stove lid who appears to be in charge of the chair.

This old guy has a big white mouser, and big white bristly eyebrows, and he is a very fierce-looking old guy, indeed, and anybody can tell at once that he is nothing but a curmudgeon, and by no means worthy of attention. But he is a familiar spectacle at the racetrack at Saratoga, as he comes out nearly every day in a limousine the size of a hearse, and is rolled out of the limousine in his wheelchair on a little runway by the stove lid, and pushed up to this spot where he is sitting now, so he can view the sport of kings without being bothered by the crowds.

It is well known to one and all that his name is Rarus P. Griggsby, and that he has plenty of potatoes, which he makes in Wall Street, and that he is closer than the next second with his potatoes, and furthermore, it is also well known that he hates everybody in the world, including himself, so nobody goes anywhere near him if they can help it.

The Lemon Drop Kid does not realize he is standing so close to Rarus P. Griggsby, until he hears the old guy growling at the stove lid, and then The Lemon Drop Kid looks at Rarus P. Griggsby very sympathetic and speaks to him in his low voice as follows:

“Gout?” he says.

Now of course The Lemon Drop Kid knows who Rarus P. Griggsby is, and under ordinary circumstances The Lemon Drop Kid will not think of speaking to such a character, but afterward he explains that he is feeling so despondent that he addresses Rarus P. Griggsby just to show he does not care what happens. And under ordinary circumstances, the chances are Rarus P. Griggsby will start hollering for the gendarmes if a stranger has the gall to speak to him, but there is so much sympathy in The Lemon Drop Kid’s voice and eyes, that Rarus P. Griggsby seems to be taken by surprise, and he answers like this:

“Arthritis,” Rarus P. Griggsby says. “In my knees,” he says. “I am not able to walk a step in three years.”

“Why,” The Lemon Drop Kid says, “I am greatly distressed to hear this. I know just how you feel, because I am troubled from infancy with this same disease.”

Now of course this is strictly the old ackamarackus, as The Lemon Drop Kid cannot even spell arthritis, let alone have it, but he makes the above statement just by way of conversation, and furthermore he goes on to state as follows:

“In fact,” The Lemon Drop Kid says, “I suffer so I can scarcely think, but one day I find a little remedy that fixes me up as right as rain, and I now have no trouble whatsoever.”

And with this, he takes a lemon drop out of his pocket and pops it into his mouth, and then he hands one to Rarus P. Griggsby in a most hospitable manner, and the old guy holds the lemon drop between his thumb and forefinger and looks at it as if he expects it to explode right in his pan, while the stove lid gazes at The Lemon Drop Kid with a threatening expression.

“Well,” Rarus P. Griggsby says, “personally I consider all cures fakes. I have a standing offer of five thousand dollars to anybody that can cure me of my pain, and nobody even comes close so far. Doctors are also fakes,” he says. “I have seven of them, and they take out my tonsils, and all my teeth, and my appendix, and they keep me from eating anything I enjoy, and I only get worse. The waters here in Saratoga seem to help me some, but,” he says, “they do not get me out of this wheelchair, and I am sick and tired of it all.”

Then, as if he comes to a quick decision, he pops the lemon drop into his mouth, and begins munching it very slow, and after a while he says it tastes just like a lemon drop to him, and of course it is a lemon drop all along, but The Lemon Drop Kid says this taste is only to disguise the medicine in it.

Now, by and by, The Lemon Drop Kid commences telling Rarus P. Griggsby the tale, and afterward The Lemon Drop Kid says he has no idea Rarus P. Griggsby will listen to the, tale, and that he only starts telling it to him in a spirit of good clean fun, just to see how he will take it, and he is greatly surprised to note that Rarus P. Griggsby is all attention.

Personally, I find nothing unusual in this situation, because I often see citizens around the racetracks as prominent as Rarus P. Griggsby, listening to the tale from guys who do not have as much as a seat in their pants, especially if the tale has any larceny in it, because it is only human nature to be deeply interested in larceny.

And the tale The Lemon Drop Kid tells Rarus P. Griggsby is that he is a brother of Sonny Saunders, the jock, and that Sonny tells him to be sure and be at the track this day to bet on a certain horse in the fifth race, because it is nothing but a boat race, and everything in it is as stiff as a plank, except this certain horse.

Now of course this is all a terrible lie, and The Lemon Drop Kid is taking a great liberty with Sonny Saunders’s name, especially as Sonny does not have any brothers, anyway, and even if Sonny knows about a boat race the chances are he will never tell The Lemon Drop Kid, but then very few guys whose business is telling the tale ever stop to figure they may be committing perjury.

So The Lemon Drop Kid goes on to state that when he arrives at the track he has fifty bobs pinned to his wishbone to bet on this certain horse, but unfortunately he gets a tip on a real good thing in the very first race, and bets his fifty bobs right then and there, figuring to provide himself with a larger taw to bet on the certain horse in the fifth, but the real good thing receives practically a criminal ride from a jock who does not know one end of a horse from the other, and is beat a very dirty snoot, and there The Lemon Drop Kid is with the fifth race coming up, and an absolute cinch in it, the way his tale goes, but with no dough left to bet on it.

Well, personally I do not consider this tale as artistic as some The Lemon Drop Kid tells, and in fact The Lemon Drop Kid himself never rates it among his masterpieces, but old Rarus P. Griggsby listens to the tale quite intently without saying a word, and all the time he is munching the lemon drop and smacking his lips under his big white mouser, as if he greatly enjoys this delicacy, but when The Lemon Drop Kid concludes the tale, and is standing there gazing out across the track with a very sad expression on his face, Rarus P. Griggsby speaks as follows:

“I never bet on horse races,” Rarus P. Griggsby says. “They are too uncertain. But this proposition you present sounds like finding money, and I love to find money. I will wager one hundred dollars on your assurance that this certain horse cannot miss.”

And with this, he outs with a leather so old that The Lemon Drop Kid half expects a cockroach to leap out at him, and produces a C note which he hands to The Lemon Drop Kid, and as he does so, Rarus P. Griggsby inquires:

“What is the name of this certain horse?”

Well, of course this is a fair question, but it happens that The Lemon Drop Kid is so busy all afternoon thinking of the injustice of the sleuths that he never even bothers to look up this particular race beforehand, and afterward he is quite generally criticized for slovenliness in this matter, for if a guy is around telling the tale about a race, he is entitled to pick out a horse that has at least some kind of a chance.

But of course The Lemon Drop Kid is not expecting the opportunity of telling the tale to arise, so the question finds him unprepared, as offhand he cannot think of the name of a horse in the race, as he never consults the scratches, and he does not wish to mention the name of some plug that may be scratched out, and lose the chance to make the C note. So as he seizes the C note from Rarus P. Griggsby and turns to dash for the bookmakers over in front of the grandstand, all The Lemon Drop Kid can think of to say at this moment is the following:

“Watch Number Two,” he says.

And the reason he says No. 2, is he figures there is bound to be a No. 2 in the race, while he cannot be so sure about a No. 7 or a No. 9 until he looks them over, because you understand that all The Lemon Drop Kid states in telling the tale to Rarus P. Griggsby about knowing of something doing in this race is very false.

And of course The Lemon Drop Kid has no idea of betting the C note on anything whatever in the race. In the first place, he does not know of anything to bet on, and in the second place he needs the C note, but he is somewhat relieved when he inquires of the first bookie he comes to, and learns that No. 2 is an old walrus by the name of The Democrat, and anybody knows that The Democrat has no chance of winning even in a field of mud turtles.

So The Lemon Drop Kid puts the C note in his pants pocket, and walks around and about until the horses are going to the post, and you must not think there is anything dishonest in his not betting this money with a bookmaker, as The Lemon Drop Kid is only taking the bet himself, which is by no means unusual, and in fact it is so common that only guys like Cap Duhaine and his sleuths think much about it.

Finally The Lemon Drop Kid goes back to Rarus P. Griggsby, for it will be considered most ungenteel for a guy whose business is telling the tale to be absent when it comes time to explain why the tale does not stand up, and about this time the horses are turning for home, and a few seconds later they go busting past the spot where Rarus P. Griggsby is sitting in his wheelchair, and what is in front to the wire by a Salt Lake City block but The Democrat with No. 2 on his blanket.

Well, old Rarus P. Griggsby starts yelling and waving his hands, and making so much racket that he is soon the center of attention, and when it comes out that he bets a C note on the winner, nobody blames him for cutting up these didoes, for the horse is a twenty to one shot, but all this time The Lemon Drop Kid only stands there looking very, very sad and shaking his head, until finally Rarus P. Griggsby notices his strange attitude.

“Why are you not cheering over our winning this nice bet?” he says. “Of course I expect to declare you in,” he says. “In fact I am quite grateful to you.”

“But,” The Lemon Drop Kid says, “we do not win. Our horse runs a jolly second.”

“What do you mean, second!” Rarus P. Griggsby says. “Do you not tell me to watch Number Two, and does not Number Two win?”

“Yes,” The Lemon Drop Kid says, “what you state is quite true, but what I mean when I say watch Number Two is that Number Two is the only horse I am afraid of in the race, and it seems my fear is well founded.”

Now at this, old Rarus P. Griggsby sits looking at The Lemon Drop Kid for as long as you can count up to ten, if you count slow, and his mouser and eyebrows are all twitching at once, and anybody can see that he is very much perturbed, and then all of a sudden he lets out a yell and to the great amazement of one and all he leaps right out of his wheelchair and makes a lunge at The Lemon Drop Kid.

Well, there is no doubt that Rarus P. Griggsby has murder in his heart, and nobody blames The Lemon Drop Kid when he turns and starts running away at great speed, and in fact he has such speed that finally his feet are throwing back little stones off the gravel paths of the racetrack with such velocity that a couple of spectators who get hit by these stones think they are shot.

For a few yards, old Rarus P. Griggsby is right at The Lemon Drop Kid’s heels, and furthermore Rarus P. Griggsby is yelling and swearing in a most revolting manner. Then some of Cap Duhaine’s sleuths come running up and they take after The Lemon Drop Kid too, and he has to have plenty of early foot to beat them to the racetrack gates, and while Rarus P. Griggsby does not figure much in the running after the first few jumps, The Lemon Drop Kid seems to remember hearing him cry out as follows:

“Stop, there! Please stop!” Rarus P. Griggsby cries. “I wish to see you.”

But of course The Lemon Drop Kid is by no means a chump, and he does not even slacken up, let alone stop, until he is well beyond the gates, and the sleuths are turning back, and what is more, The Lemon Drop Kid takes the road leading out of Saratoga instead of going back to the city, because he figures that Saratoga may not be so congenial to him for a while.

In fact, The Lemon Drop Kid finds himself half-regretting that he ever tells the tale to Rarus P. Griggsby as The Lemon Drop Kid likes Saratoga in August, but of course such a thing as happens to him in calling a winner the way he does is just an unfortunate accident, and is not apt to happen again in a lifetime.

Well, The Lemon Drop Kid keeps on walking away from Saratoga for quite some time, and finally he is all tuckered out and wishes to take the load off his feet. So when he comes to a small town by the name of Kibbsville, he sits down on the porch of what seems to be a general store and gas station, and while he is sitting there thinking of how nice and quiet and restful this town seems to be, with pleasant shade trees, and white houses all around and about, he sees standing in the doorway of a very little white house across the street from the store, in a gingham dress, the most beautiful young doll that ever lives, and I know this is true, because The Lemon Drop Kid tells me so afterward.

This doll has brown hair hanging down her back, and her smile is so wonderful that when an old pappy guy with a goatee comes out of the store to sell a guy in a flivver some gas, The Lemon Drop Kid hauls off and asks him if he can use a clerk.

Well, it seems that the old guy can, at that, because it seems that a former clerk, a guy by the name of Pilloe, recently lays down and dies on the old guy from age and malnutrition, and so this is how The Lemon Drop Kid comes to be planted in Kibbsville, and clerking in Martin Potter’s store for the next couple of years, at ten bobs per week.

And furthermore, this is how The Lemon Drop Kid meets up with Miss Alicia Deering, who is nobody but the beautiful little doll that The Lemon Drop Kid sees standing in the doorway of the little house across the street.

She lives in this house with her papa, her mama being dead a long time, and her papa is really nothing but an old bum who dearly loves his applejack, and who is generally around with a good heat on. His first name is Jonas, and he is a housepainter by trade, but he seldom feels like doing any painting, as he claims he never really recovers from a terrible backache he gets when he is in the Spanish-American War with the First New York, so Miss Alicia Deering supports him by dealing them off her arm in the Commercial Hotel.

But although The Lemon Drop Kid now works for a very great old skinflint who even squawks about The Lemon Drop Kid’s habit of filling his side pocket now and then with lemon drops out of a jar on the shelf in the store, The Lemon Drop Kid is very happy, for the truth of the matter is he loves Miss Alicia Deering, and it is the first time in his life he ever loves anybody, or anything. And furthermore, it is the first time in his life The Lemon Drop Kid is living quietly, and in peace, and not losing sleep trying to think of ways of cheating somebody.

In fact, The Lemon Drop Kid now looks back on his old life with great repugnance, for he can see that it is by no means the proper life for any guy, and sometimes he has half a mind to write to his former associates who may still be around telling the tale, and request them to mend their ways, only The Lemon Drop Kid does not wish these old associates to know where he is.

He never as much as peeks at a racing sheet nowadays, and he spends all his spare time with Miss Alicia Deering, which is not so much time, at that, as old Martin Potter does not care to see his employees loafing between the hours of 6 a.m. and 10 p.m., and neither does the Commercial Hotel. But one day in the spring, when the apple blossoms are blooming in these parts, and the air is chock-a-block with perfume, and the grass is getting nice and green, The Lemon Drop Kid speaks of his love to Miss Alicia Deering, stating that it is such a love that he can scarcely eat.

Well, Miss Alicia Deering states that she reciprocates this love one hundred percent, and then The Lemon Drop Kid suggests they get married up immediately, and she says she is in favor of the idea, only she can never think of leaving her papa, who has no one else in all this world but her, and while this is a little more extra weight than The Lemon Drop Kid figures on picking up, he says his love is so terrific he can even stand for her papa, too.

So they are married, and go to live in the little house across the street from Martin Potter’s store with Miss Alicia Deering’s papa.

When he marries Miss Alicia Deering, The Lemon Drop Kid has a bankroll of one hundred and eighteen dollars, including the C note he takes off of Rarus P. Griggsby, and eighteen bobs that he saves out of his salary from Martin Potter in a year, and three nights after the marriage, Miss Alicia Deering’s papa sniffs out where The Lemon Drop Kid plants his roll and sneezes same. Then he goes on a big applejack toot, and spends all the dough.

But in spite of everything, including old man Deering, The Lemon Drop Kid and Miss Alicia Deering are very, very happy in the little house for about a year, especially when it seems that Miss Alicia Deering is going to have a baby, although this incident compels her to stop dealing them off the arm at the Commercial Hotel, and cuts down their resources.

Now one day, Miss Alicia Deering comes down with a great illness, and it is such an illness as causes old Doc Abernathy, the local croaker, to wag his head, and to state that it is beyond him, and that the only chance for her is to send her to a hospital in New York City where the experts can get a crack at her. But by this time, what with all his overhead, The Lemon Drop Kid is as clean as a jaybird, and he has no idea where he can get his dukes on any money in these parts, and it will cost a couple of C’s, for low, to do what Doc Abernathy suggests.

Finally, The Lemon Drop Kid asks old Martin Potter if he can see his way clear to making him an advance on his salary, which still remains ten bobs per week, but Martin Potter laughs, and says he not only cannot see his way clear to doing such a thing, but that if conditions do not improve he is going to cut The Lemon Drop Kid off altogether. Furthermore, about this time the guy who owns the little house drops around and reminds The Lemon Drop Kid that he is now in arrears for two months’ rent, amounting in all to twelve bobs, and if The Lemon Drop Kid is not able to meet this obligation shortly, he will have to vacate.

So one way and another The Lemon Drop Kid is in quite a quandary, and Miss Alicia Deering is getting worse by the minute, and finally The Lemon Drop Kid hoofs and hitchhikes a matter of maybe a hundred and fifty miles to New York City, with the idea of going out to Belmont Park, where the giddy-aps are now running, figuring he may be able to make some kind of a scratch around there, but he no sooner lights on Broadway than he runs into a guy he knows by the name of Short Boy, and this Short Boy pulls him into a doorway, and says to him like this:

“Listen, Lemon Drop,” Short Boy says, “I do not know what it is you do to old Rarus P. Griggsby, and I do not wish to know, but it must be something terrible, indeed, as he has every elbow around the racetracks laying for you for the past couple of years. You know Rarus P. Griggsby has great weight around these tracks, and you must commit murder the way he is after you. Why,” Short Boy says, “only last week over in Maryland, Whitey Jordan, the track copper, asks me if ever I hear of you, and I tell him I understand you are in Australia. Keep away from the tracks,” Short Boy says, “or you will wind up in the clink.”

So The Lemon Drop Kid hoofs and hitchhikes back to Kibbsville, as he does not wish to become involved in any trouble at this time, and the night he gets back home is the same night a masked guy with a big six pistol in his duke steps into the lobby of the Commercial Hotel and sticks up the night clerk and half a dozen citizens who are sitting around in the lobby, including old Jonas Deering, and robs the damper of over sixty bobs, and it is also the same night that Miss Alicia Deering’s baby is born dead, and old Doc Abernathy afterward claims that it is all because the experts cannot get a crack at Miss Alicia Deering a matter of about twelve hours earlier.

And it is along in the morning after this night, around four bells, that Miss Alicia Deering finally opens her eyes, and sees The Lemon Drop Kid sitting beside her bed in the little house, crying very hard, and it is the first time The Lemon Drop Kid is leveling with his crying since the time one of the attendants in the orphans’ asylum in Jersey City gives him a good belting years before.

Then Miss Alicia Deering motions to The Lemon Drop Kid to bend down so she can whisper to him, and what Miss Alicia Deering whispers, soft and low, is the following:

“Do not cry, Kid,” she whispers. “Be a good boy after I am gone, Kid, and never forget I love you, and take good care of poor papa.”

And then Miss Alicia Deering closes her eyes for good and all, and The Lemon Drop Kid sits there beside her, watching her face until some time later he hears a noise at the front door of the little house, and he opens the door to find old Sheriff Higginbotham waiting there, and after they stand looking at each other a while, the sheriff speaks as follows:

“Well, son,” Sheriff Higginbotham says, “I am sorry, but I guess you will have to come along with me. We find the vinegar barrel spigot wrapped in tinfoil that you use for a gun in the backyard here where you throw it last night.”

“All right,” The Lemon Drop Kid says. “All right, Sheriff. But how do you come to think of me in the first place?”

“Well,” Sheriff Higginbotham says, “I do not suppose you recall doing it, and the only guy in the hotel lobby that notices it is nobody but your papa-in-law, Jonas Deering, but,” he says, “while you are holding your homemade pistol with one hand last night, you reach into the side pocket of your coat with the other hand and take out a lemon drop and pop it into your mouth.”

I run into The Lemon Drop Kid out on the lawn at Hialeah in Miami last winter, and I am sorry to see that the twoer he does in Auburn leaves plenty of lines in his face, and a lot of gray in his hair.

But of course I do not refer to this, nor do I mention that he is the subject of considerable criticism from many citizens for turning over to Miss Alicia Deering’s papa a purse of three C’s that we raise to pay a mouthpiece for his defense.

Furthermore, I do not tell The Lemon Drop Kid that he is also criticized in some quarters for his action while in the sneezer at Auburn in sending the old guy the few bobs he is able to gather in by making and selling knickknacks of one kind and another to visitors, until finally Jonas Deering saves him any more bother by up and passing away of too much applejack.

The way I look at it, every guy knows his own business best, so I only duke The Lemon Drop Kid, and say I am glad to see him, and we are standing there carving up a few old scores, when all of a sudden there is a great commotion and out of the crowd around us on the lawn comes an old guy with a big white mouser, and bristly white eyebrows, and as he grabs The Lemon Drop Kid by the arm, I am somewhat surprised to see that it is nobody but old Rarus P. Griggsby, without his wheelchair, and to hear him speak as follows:

“Well, well, well, well, well!” Rarus P. Griggsby says to The Lemon Drop Kid. “At last I find you,” he says. “Where are you hiding all these years? Do you not know I have detectives looking for you high and low because I wish to pay you the reward I offer for anybody curing me of my arthritis? Yes,” Rarus P. Griggsby says, “the medicine you give me at Saratoga which tastes like a lemon drop, works fine, although,” he says, “my seven doctors all try to tell me it is nothing but their efforts finally getting in their work, while the city of Saratoga is attempting to cut in and claim credit for its waters.

“But,” Rarus P. Griggsby says, “I know it is your medicine, and if it is not your medicine, it is your scalawagery that makes me so hot that I forget my arthritis, and never remember it since, so it is all one and the same thing. Anyway, you now have forty-nine hundred dollars coming from me, for of course I must hold out the hundred out of which you swindle me,” he says.

Well, The Lemon Drop Kid stands looking at Rarus P. Griggsby and listening to him, and finally The Lemon Drop Kid begins to laugh in his low voice, ha-ha-ha-ha-ha, but somehow there does not seem to be any laughter in the laugh, and I cannot bear to hear it, so I move away leaving Rarus P. Griggsby and The Lemon Drop Kid there together.

I look back only once, and I see The Lemon Drop Kid stop laughing long enough to take a lemon drop out of the side pocket of his coat and pop it into his mouth, and then he goes on laughing, ha-ha-ha-ha-ha.

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