A real-life black and white Necker Cube illusion
by Marsup' aka MARS / Overbooked dad on Flickr
deceptions + pranks + magic + frauds + cons + lying + cheating + fakes + hoaxes + illusions
“And I dreamed down at the clouds, and thought that when I was a kid I had dreamed up at them, and having dreamed at the clouds from both sides as no other generation of men has done, one should be able to accept his death very easily.”
"For decades the appearance of the $100 bill remained largely unchanged. In the late 1980s, the so-called supernote made its appearance: highly accurate $100s (and some $50s) that baffled investigators...
Regardless of the source of the supernotes, they prompted the first major overhaul of the paper currency in decades. The first big change came with the introduction of the new $100 bill in 1996, which featured the "large head" design that has since become standard, along with watermarks and color-shifting ink. But the latest version of the $100 unveiled this week takes things to a whole different level."Article at The Wall Street Journal>>
"One of these drawings is 'The Portrait of Henri Leroy' by Jean-Baptiste Camille Corot, in the collection of the Fogg Art Museum, Harvard University. The other is a copy of same, done by the notorious forger, Eric Hebborn, whose story has been recently told by philosopher Denis Dutton in his popular book, 'The Art Instinct.' How can one tell the difference?"Go to Mountshang to learn more from Chris Miller>>
"In his autobiography, two of Hebborn’s themes are the venality of art dealers and the pseudo-expertise of the scholars who authenticated his fakes. Clearly, greedy dealers looked none-too-carefully at his works and sold them for vast profits. The experts whom he tricked may have looked more carefully, but Hebborn was an exceedingly clever forger. Not only was he extremely knowledgeable about materials, he possesses a remarkably adaptable mimetic ability. In this respect, his oeuvre challenges to some extent the widely-accepted belief that forgers invariably give themselves away by allowing their own personal mannerisms to infect their fakes. Hebborn displayed an astonishing ability to think himself into another artist’s style and effectively imitate it. Moreover, many of his fakes are disarming in their life and grace. They are, simply as basic visual objects, beautiful to look at."Death of a Forger, an article by Denis Dutton>>
"FORGERY and PLAGIARISM are both forms of fraud. In committing art forgery I claim my work is by another person. As a plagiarist, I claim another person’s work is my own. In forgery, someone’s name is stolen in order to add value to the wrong work; in plagiarism someone’s work is stolen in order to give credit to the wrong author."Forgery and Plagiarism, also by Denis Dutton>>
This study addresses the frequency and the distribution of reported lying in the adult population. A national survey asked 1,000 U.S. adults to report the number of lies told in a 24-hour period. Sixty percent of subjects report telling no lies at all, and almost half of all lies are told by only 5% of subjects; thus, prevalence varies widely and most reported lies are told by a few prolific liars. The pattern is replicated in a reanalysis of previously published research and with a student sample. Substantial individual differences in lying behavior have implications for the generality of truth–lie base rates in deception detection experiments. Explanations concerning the nature of lying and methods for detecting lies need to account for this variation.From Human Communications Research, at Wiley Interscience (for purchase)>>
A system for allowing a shoe wearer to lean forwardly beyond his center of gravity by virtue of wearing a specially designed pair of shoes which will engage with a hitch member movably projectable through a stage surface. The shoes have a specially designed heel slot which can be detachably...Watch Jackson's "trick" perfectly integrated into his dance sequence. It's done so quickly, it's as if he's teasing the audience to rub their eyes and say, "Did I really see that?"
And later we find out about his associate, Ernano Barretta."A former Credit Suisse banker, the 44-year-old Sgarbi used to make his living preying on lonely women of means, seducing them, videotaping them having sex with him, and blackmailing them. That is, until the summer of 2007, when he took on three for-profit affairs simultaneously, including the one with his prize catch—Susanne Klatten, the married heiress to the BMW fortune and the richest woman in Germany, worth $12 billion—who became his downfall."
"Ernano Barretta had moved to Switzerland to work as a mechanic in the sixties. By the early nineties, he'd remade himself into a sensitivo, claiming he could help with spiritual troubles. (He was once convicted of dealing stolen cars.) As Barretta's flock grew, so did his mythology, which took on an intensely Christian character. He would appear bearing stigmata and would perform faith healings, receiving in return generous offerings from devotees, allegedly their entire life savings in some cases."From Details>>
But the legacy of living a lie has not been easy for Bain, he will readily admit. Now that he's no longer keeping a secret, he can't stop wondering what everyone else must be hiding, and has trouble believing a word anyone says. "Once you know how easy it is, you think, why don't people just lie all the time? Why wouldn't they? It's so easy when you do it - and then you get everything you want."The book about it all, California Schemin'>>
"Coppola, who wrote and directed, considers this film his most personal project. He was working two years after the Watergate break-in, amid the ruins of the Vietnam effort, telling the story of a man who places too much reliance on high technology and has nightmares about his personal responsibility. Harry Caul is a microcosm of America at that time: not a bad man, trying to do his job, haunted by a guilty conscience, feeling tarnished by his work."
"Real windows are interactive - unlike a painting on the wall. When you move your head in relation to a window, the view outside shifts up/down/left/right. If you want to see something in the window’s right periphery, you can move your head left to bring it into view.Winscape at RationalCraft>>
We can simulate that effect if we know the location of the viewer’s head in relation to the Winscape displays. The effect will only look correct to the one person in the room wearing the tracking device, so it’s presented more as a fun party gimmick than as a feature for full-time use."
"That’s part of the job of being a writer. There is a falseness to it. You know you meet someone. You... you genuinely like them, but there is an element of facsimile in the friendship that you are creating because it’s going to end the moment the interview is over and you have to - realistically I interview people to get something out of them and they give me interviews because they want something out of me and does that bargaining compromise in every transaction that a writer or journalist carries out?"Robert Lacey is a British historian and biographer. He wrote the biography Ford (on Henry Ford) and Majesty, on Queen Elizabeth II, and an important book on Saudi Arabia, The Kingdom, among other works.